Take the Bread and Run

Last Spring I went to the Painted Hills, OR with a small group of photographers to shoot some new images for our portfolios. These are a few from my set.  They are  good examples of a current
trend in commercial photography  and short videos: suggesting a mood rather than telling a clear story. The landscape, the colors and the key objects combine with the movement of the subject to originate tension and to create an image able to hold attention long enough to be remembered.  However,  the details of the story are best left to the viewer's imagination.  Why is our hero running through a frame, holding a red bag filled with bread? Why is he carrying a camera? What role is the woman playing? The point I am trying to make with this image is.. he could be holding anything as long it is colorful or shaped in a way to immediately capture the attention of the viewer. The other clues (the camera, the old cowboy boots) just further enrich the image, without being too distracting. This is what a commercial client 'd ask from a set like this.

The lighting is similar in all three images , a softbox to camera side, high and close to the subjects, scene cross lit with the sun. However the images look very different. In the first and second photos the flash overpowers the Sun. Coupled with some post processing that alters the original palette it creates a dreamier,  more staged look. In the third  image the  flash is used only as fill,  to give more of a structure to the floating vest. I noticed that often clients love the first set up and then ask you to 'tone it down' a bit to achieve the second. So it is good to show that one can create a range of images with the same tools.

Splendor in the Grass

What though the radiance which was once so bright
Be now for ever taken from my sight,
Though nothing can bring back the hour
Of splendour in the grass, of glory in the flower;
We will grieve not, rather find
Strength in what remains behind...

(William Wordsworth, "Ode: Intimations of Immortality").


I am obviously on a literary artsy streak. This image was part of a week long editorial that I shot in Port Townsend, WA, loosely based on fairy tales imagery. Not quite shooting " John Huston's African Queen", but the talent and crew had to walk through marshes and tall grass, fight mosquitoes, small snakes and the customers of Fat Smitty's bar. Singer and dancer Kristin "Finn" Von Claret, and Chance Koehnen modeled. I had scouted the location in February, and by this time the old tall grass was being replaced by new green offshoots. The cloudy weather created a nice atmosphere.

We shot at noon, but I had brought the big guns to overcome sunlight. a Profoto 7B pack, two heads, a sofliter II (as fill) and to camera left the giant umbrella+diffuser from Alien Bees (which worked flawlessly). The sun was to the right. Shot at f14, 1/160th, ISO 100 and using the 16-35mm Canon lens that I really like. Having a decent amount of watts/sec helped.

The post production editing was somewhat laborious to get the grading right. In order: reduce contrast/desaturate/add gradient masks to the sky and grass close to the fill light/minor retouching of the talent/re-adding contrast were needed/curves/adding a blue-yellow palette later and masking it appropriately. Final adjustments in Lightroom.

I will make a large print tomorrow!